"Dear Dad, Love Maria"

Sunday, March 29, 2009

DDLM Trailer 1


DDLM Trailer 1 from Vince Mascoli on Vimeo.

I plan on adding a few more shots and replace the in-progress ones with their finals. I like the trailer though. It feels epic to me.

Sunday, March 22, 2009

Pencil Test - DDLM


Maria Explains Full Animation from Vince Mascoli on Vimeo.

New pencil test for DDLM. Maria is trying to reason with her father.

Thursday, March 5, 2009

Fran Krause Visits

Fran Krause, NYC independent animator, came and gave a lecture at my school. I really like going to these things, I wish we could have more. Just having these people who know so much more than you there just makes you want to talk to them and pick their brain. I'm trying to learn as much as I can about employment in the animation industry and he gave a lot of good advice. I really am disappointed I wasn't able to show him my current animatic for Dear Dad, Love Maria because of my 4 PM class, but I think I'm going to email it to him when I finally do the clarification work that I need to do.

For those who don't know who Fran is, he has created a number of cartoons with his brother Wil that have gone around to different festivals, including one of my favorites from Ottawa The Upstate Four. It's a pilot he made for Cartoon Network. Here's another fantastic pilot he made for Cartoon Network, Utica Cartoon:



Doing a post like this has made me decide to post an influences blog. I'll work on a list and then put it up in a few days.

Monday, February 23, 2009

How to Create an (Student) Animated Short on Your Own

First, think of a story. Tell it to all your friends. Laugh about how funny it is, or ruminate about how emotional and poignant it is. Tell it again to all your friends. Insist you’re working on it really hard to make it good. Believe that you’re going to be nominated for an Academy Award.
Bring the first draft to school. Make sure you were up all night the night before stressing out over storyboards that are poorly drawn and on loose leaf paper because you used up your sketchbook over the summer making cartoon characters that make little to no sense. Make sure to tell it to the teacher with as much enthusiasm as you can muster after not sleeping, which is, surprisingly, a lot. Look at their deadpan face. Start over again.
At this point if you have not given up on your story entirely, you should at least be open enough to criticism to make what you have better. Finally, redo your storyboards and fix everything. Stop believing you’re going to get an Academy Award nomination. The teacher gives you a go ahead that seems more like an okay but you’ll be sorry than a you have something good here, keep going.
Make a basic soundtrack that sounds horrible, scout around for someone who has a voice for what you’re looking for. Wish you did a silent film.
Begin to animate, feel the rush of making your drawings come to life on screen. Feel the thrill of flipping the pages and feeling your characters move and talk and act.
Believe you’ll be nominated for an Academy Award. Continue like this until you’re halfway through your piece.
Feel the stress of other classes and all the animation you have yet to do. Become depressed. Stop working on your animation. Wonder why you ever decided to do something so crazy. Wonder why animation gets such bull from the American public and why you can’t be taken seriously as an animator. Wonder why you even care so much about that. Worry about future jobs. Worry about graduation. Sleep a lot. Feel sorry for yourself and feel like you’re letting everyone down. Talk to your therapist. Stop believing you’re ever going to be nominated for an Academy Award.
Try animating, all the while being distractable and unhappy. Begin to hate your animation. Hate yourself. Pick up a scene one day and draw. Remember how good it felt when you first started. Get a new burst of energy. Contiue to believe you won’t be nominated for an Academy Award. Instead, you just want to finish your film and see it on the big screen at your thesis show.
Finish animating. Feel good about yourself. Move into post production and feel bad again, but a kind of bad where you still can work. Get excited when you finish rendering a shot. Making sure to backup your film in triplicate because of the 3 harddrives you’ve destroyed in one way or another in the past three years is evidence enough to that. Work on your sound design, wonder how to make anything sound good.
Finish the film and put it on DVD. Play a pirated version of the Hallelujah Chorus to celebrate. Get excited to see your film finished. Get nervous about your family seeing it. Go see your film. Feel good that you finished it.
Get excited about doing another film based on this story you’ve been kicking around. Tell it to all your friends. Laugh about how funny it is, or ruminate about how emotional and poignant it is. Believe it will be nominated for an Academy Award.

Saturday, February 14, 2009

Happy Birthday to Me


I turn 22 today. Going to see Coraline in 3D tonight. Full review later.

Thursday, February 12, 2009

Wednesday, February 4, 2009

DDLM Update


After posting the awesomeness that was the Coraline swag. I feel obligated to post an update on DDLM. Things are going better than I felt they were going. I really have to hunker down and do a bunch of easy shots for next week, but as long as I work every night I should on schedule. All in all, if I follow the schedule, animation on the film will be finished by April 8th, and then I'll be compositing and doing sound design work up until we have to hand film in. I'm thinking about downloading the Hallelujah Chorus to play after I finish rendering and exporting and compressing my film.

I will blare it and gaze up into the ceiling and proclaim my film finished. Still a long way to go on that though. Gotta keep working.